Wins a harmonica
HOHNER MEISTERKLASSE (C) and a
He will be
part of the jury for the next sessions
"Very pleaseant piece, with a real
dialogue between instruments, and a
strong and recognisable theme that comes
up after suitable modulations. So, a
nice and well-balanced piece.
Too bad the panning adjustments have not
been set up, and that some existing
voices seem to be missing on score.
However, an excellent mastering of the
software, especially in the tempo
variations, empowers this piece with an
"Excellent piece, with rich and
well-placed dynamics, and a good sound
Only two items, that don't harm the
piece, have to be reported : the last
measure only lasts one beat (there is no
grace note), and a music start barline
is missing. Congratulations!"
Myriad USB flashdrive and a Myriad
effects are well used, which is rare
in this contest session, even though
the topic (a duet) is well-suited for
Alternating between fast-slow-fast on
a D minor modulation makes this piece
more interesting and pleasant,
compared to other pieces in this
contest, rather monotonous."
"A pleasant piece, even if the
clarinette part in the first movement
lacks a bit of originality and
surprise, by simply modulating on the
piano chords. But the other movements
put things back on track."
"Very nice piece, even if we can't
call it a Sonata. The sound space is
well used, and the rendering is very
pleasant. A score end barline should
have required a score start bar."
Wins a Myriad
"Varied and entertaining piece, but
that would benefit from more rhythmic
or key modulations to create an
element of surprise from time to time.
A few mistakes on the score, otherwise
quite well designed. For instance, why
using piano pedal symbols for a
guitar? A more marked sound
spatialization between the two
instruments would also contribute to
"An interesting piece, that
benefits for a well-built writing.
Only the last part lacks of expression
because of the a missing cadence. When
writing a music end barline, a music
start barline must not be forgotten.
When examining the measures, in
measure 3, on the E4, there is a whole
note that fills completely the
measure, and two sixteenth in excess."